From Algorithms to Atoms.
For years, my world was defined by market dynamics, data, and the search for an edge in trading. I analyzed patterns and numbers to predict the future.
Today, I translate that same need for precision into chemistry. My “code” is now composed of ammonium ferric citrate and potassium ferricyanide. My laboratory is dark, and my data is liquid.
I use light, iron, and glass to capture what is often lost in the digital noise: permanence and tactile depth. Every plate follows a rigorous protocol—from the manual coating to the final acid toning. It is a transition from high-frequency abstraction to the slow, deliberate chemistry of light.
In trading, everything has an expiration date. In my studio, I aim for the opposite, while examining the cost of that very pursuit. I take the artifacts of our built environment—ceramic tiles, architectural fragments, and industrial debris—and subject them to a process of controlled destruction and golden repair. My work is no longer about predicting market trends, but about fixing the impact of capital onto matter. I am moving from managing expiring assets to documenting the scars of a society driven by them.
Current Status: Portfolio development: ‘Money and Society’. No public previews or sales planned for 2026. Just light, iron, and kiln-fired earth.
Contact: LinkedIn